Monday, March 2, 2026

From rubbles to crown : Proud father now declares, "Mera nechu (son) India Khelke aaega


Ghulam, an ardent fan of ‘Tendulkar Sir’ and ‘Cool Ganguly’, was determined not to let his son play cricket. “I was against him playing cricket,” he says.

Ghulam Nabi teaches in a government school in Shiri, a few kilometres down the slope from Baramulla. When his son, Aquib was uprooting Karun Nair, K L Rahul and Devdutt Patnaik on day 3, the proud father was busy, teaching his students at the school. The man hadn’t taken leave from his duty, rather decided to watch video of his son’s bowling later. “I really wanted all my children to pursue medical studies,” he remembers.

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In Jammu and Kashmir, cricket never comes before politics, security concerns, religious and regional agonies. Like most of the families, in Aquib’s family also, being middle-class, primary focus would always on sustenance and livelihood, and the passion of the family’s sons never get preference.

“When Auquib would vanish for whole days and evenings, and we didn’t know his whereabouts, we felt very scared, ek darr sa rehta kahin beta kharaab nah ho jaaye. That’s why I was against his playing cricket, aur bhi darr laagta jab humse chupata tha, ki woh cricket khelne gaye the,” Ghulam recalls.

Auquib, always remained shy and somewhat introvert also but he was determined not to leave cricket in any situation. “Uska jo junoon tha woh dekhke maine haar maan li, when he was in 8th, he topped the zone at studies. From 9th to 12th, I always kept on saying to study medical, put him in special classes also. Ghulam recalls, “I would rebuke him, lock him up in room, but he never answered me back. The ground where cricketers from Baramulla used to play cricket, cannot actually be called as a ground. It was full of pebbles and an unmarked land. People could mostly stroll on it but play, that also cricket, was totally not feasible…

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“It was not that I didn’t love cricket. How can it be when I also played the game. But in J&K, you can’t take the game as a career option.”

In Auquib’s first year of college, Ghulam for the first time in life, could realise why his son believed in himself and remained totally defiant almost with no word at all. “He was too shy to reply to any of my words or scoldings.”

Gig Workers, part of Modern India : Have you ever thought about their inhuman working conditions


 

Gig workers are independent contractors or "platform workers" who perform short-term, task-based, or on-demand jobs—such as food delivery, ride-hailing, or freelance consulting—rather than traditional full-time employment. 

Origin of the Term "Gig"

The word "gig" originated in the 1920s music industry, where jazz musicians used it to describe a single, one-off performance or "engagement" rather than a steady job. It became more widely used during the Great Depression to describe workers juggling multiple part-time jobs and gained global prominence with the rise of digital apps like Uber and Zomato. 

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Raghav Chadha and Seema Singh's Actions

Both Raghav Chadha (AAP MP) and Seema Singh (President of GIPSWU) have taken significant stands against the exploitation of gig workers in India, particularly focusing on those in the "quick commerce" and service sectors: 

  • Raghav Chadha: In early 2026, Chadha became a vocal critic of the "10-minute delivery" model, labelling it "cruelty" that forces riders to risk their lives by over speeding. To highlight their struggles, he worked as a "gig worker for a day," delivering items for Blinkit, and hosted a delivery partner at his residence after a video of the worker's low earnings went viral. He has consistently pushed for a ban on ultra-fast delivery models and for the legal recognition of riders as humans rather than "disposable data points".
  • Seema Singh: As the leader of the Gig Workers and Platform Services Workers Union (GIPSWU), she led nationwide protests in February 2026, specifically highlighting the plight of women in the gig economy. Singh, who personally faced exploitation while working for Urban Company, has campaigned for over six years for a separate central law to protect gig workers from arbitrary ID blocking, sexual harassment, and the lack of basic facilities like toilets. 

Status of Gig Workers Internationally

The legal status of gig workers is a major point of global debate, with many countries moving toward providing them with more formal rights: 

United Kingdom: The Supreme Court famously ruled that Uber drivers are "workers" (a category between employees and contractors), entitled to minimum wage, holiday pay, and rest periods.

United StatesCalifornia passed Proposition 22, which classifies app-based drivers as independent contractors but guarantees them certain benefits like 120% of the minimum wage for "engaged time" and healthcare stipends.

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Singapore: The Platform Workers Act, effective January 2025, provides gig workers with work injury insurance, pension (CPF) contributions, and collective bargaining rights.

China: In 2021, the government issued guidelines directing platforms to improve oversight and ensuring gig workers have access to national occupational safety and health standards.

Brazil: Following massive strikes in 2020, the country is currently debating specific regulations to address "uberization" and provide a legal safety net for its estimated 1.4 million gig workers. 

Saturday, December 27, 2025

The Eleventh Hour : A Quintet of Stories, Salman Rushdie's most recent fiction, since 'Knife' and 2022 attack


 AI Generated Image

"The Eleventh Hour: A Quintet of Stories" is Salman Rushdie’s most recent work of fiction, published in November 2025. It marks a significant milestone as his first fictional publication since the 2022 attack, following the release of his memoir Knife.

The Eleventh Hour: A Quintet of Stories by Salman Rushdie

In The Eleventh Hour, Salman Rushdie turns his gaze toward the twilight. If his previous novels were often about the "midnight" of birth and revolution, this collection is a profound, playful, and occasionally haunting meditation on the "eleventh hour"—the final stage of life where memory, legacy, and mortality collide.

The Structure: A Global Triptych

The "quintet" spans the three geographic pillars of Rushdie’s life: India, England, and America. Each story feels like a homecoming, yet one filtered through the lens of a writer who has survived the unthinkable. The prose retains Rushdie’s trademark "chutnification" of language—vibrant, witty, and polyglot—but it is tempered by a new, elegiac stillness.

The Five Tales

The collection is composed of three novellas and two shorter pieces, each exploring a different facet of the "end":

  • "In the South": Set in Chennai, this story follows two "frenemies," Junior and Senior, who bicker from their adjacent verandas. It is a masterful character study of aging, capturing the bittersweet comedy of two men who define themselves by their opposition to one another until tragedy strikes.
  • "The Musician of Kahani": A delightful return to the magical realism of his roots. This story revisits the Bombay neighbourhood from Midnight’s Children, following a musical prodigy whose gifts are both a blessing and a destructive force within a wealthy family.
  • "Late": A ghost story with a cerebral edge. It follows the spirit of a Cambridge academic who enlists a student to settle a lifelong score. It serves as a sharp satire on academic legacy and the "undead" nature of colonial history.
  • "Oklahoma": A metafictional mystery about a young writer investigating the suspicious death of his mentor. It explores the blurred lines between a creator and their creation, asking: Who is writing whom?
  • "The Old Man in the Piazza": The collection’s closing parable. It acts as a powerful defense of free speech, where language itself is personified as a woman who vanishes when the public square becomes too fractured to hear her.

Themes of Mortality and Memory

The book’s central question is: How do we spend our final hour? Rushdie avoids being "doom-laden." Instead, he uses magical realism to suggest that death is not a wall but a "neighboring veranda." There is a recurring sense of "lateness"—late in the day, late in a career, and late in the history of a civilization—yet the stories are filled with what critics have called "frisky energy."

Snapshot at a Glance

Story

Setting

Tone

Key takeaway

In the South

Chennai, India

Comedic / Sad

Aging is a shared performance.

The Musician

Mumbai, India

Magical Realist

Art is a dangerous, divine gift.

Late

Cambridge, UK

Satirical / Eerie

History never truly stays buried.

Oklahoma

USA

Meta-fictional

The mentor-student bond is a labyrinth.

The Piazza

Allegorical

Parabolic

When speech dies, the city cracks.

The Last Line

The Eleventh Hour is a "haunting coda" to one of the most important literary careers of the last century. While it revisits "Rushdie’s Greatest Hits"—the Mumbai streets, the magical children, the fight for free expression—it does so with the wisdom of a man who has looked into the abyss and chosen to keep writing. It is an essential read for long-time fans and a beautiful entry point for new readers.

"Our words fail us," the book concludes, but in these 272 pages, Rushdie proves that his own words are as resilient as ever.